Linnea’s work is best described as harmony between highly polished, precious and rough, non-precious materials. She draws her inspiration from found objects such as rusty nails from her shed; pieces of ceramics found on a beach; or fragments from pieces of clothing that never made it to the charity shop. Linnea practices alternative stone setting techniques and uses sculpting, electroforming, wax carving, stitching and casting to find an ideal union between two juxtaposed objects. Texture plays an important role in Linnea’s designs yet she does not force the texture onto her pieces. She guides rather than designs the texture, as her casting techniques allow for variability in texture that is hard to control or predict. This allows her to do most of the work and then let the process and jewellery pieces to find their own final designs.